Is the Future of Contemporary Photography In Virtual Internet Museums?

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Key Takeaways:

  • The Photographic Museum of Humanity represents a new era of virtual online museums dedicated to contemporary photography.
  • Launched in January 2012, the museum has already drawn over 300,000 visitors globally and showcased the works of renowned photographers such as Alejandro Cartagena and Diana Markosian.
  • Breaking barriers of traditional museums, PMH opens up accessibility to world-class photography for free, thereby democratizing art and culture in the digital realm.
  • With the increasing shift towards virtual spaces, the future of contemporary photography could be heavily influenced by such Internet-based museums.

The Photographic Museum of Humanity (PMH) introduces a unique and innovative concept – the world’s first Internet museum dedicated exclusively to contemporary photography. Founded by Giuseppe Oliverio and situated in Bologna, Italy, PMH is a testament to the digital evolution of creative industries. Incorporating the power of virtual platforms, PMH curates monthly exhibitions presenting handpicked photographs from its community of professional photographers.

With the rapid growth of Internet connectivity and digital technologies, the PMH pioneers a significant shift in the photography arena. Utilizing the online sphere, it makes elite photography easily accessible to the global population for free, reforming traditional paradigms of culture and art accessibility. This endeavor not only broadens the reach of contemporary photography but also initiates novel dialogues about its language and framework.

The distinctiveness of PMH lies in its curatorial approach and emphasis on community contributions. The curatorial team, guided by Giuseppe Oliverio, meticulously selects exhibits from a plethora of uploadeEnsuring the democratic representation of vision, the PMH provides a platform for a multitude of voices, from world-renowned artists to emerging talents. It successfully integrates education and culture while maintaining global citizenship.

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Moreover, PMH’s interactive interface facilitates a virtual yet immersive experience, translating the essence of physical museums into digital form. This venture preens itself as a beacon for other potential Internet-based museums and cultural institutions aspiring towards innovative practices in exhibiting, collecting, and interpreting artworks and artefacts.

The successful emergence and reception of PMH raise important questions about the future trajectory of contemporary photography. Is it heading towards more virtual platforms, echoing the rising trend of Internet- based museums such as PMH? The startup’s growing global popularity is a promising sign.

Fuelled by advancements in technology and a global shift towards digitalization, it is plausible that the future of contemporary photography will be increasingly intertwined with virtual museums and online platforms, promoting greater transparency, inclusivity, and comprehensive accessibility. Be sure to follow PMH’s journey and the evolution of photo art on their website at Photographic Museum of Humanity, and their social media profiles on Twitter, Facebook and Linkedin.


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